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lundi 7 juin 2010

Online video continues to grow in US | Broadband TV News

 

Seven in ten adult internet users (69%), or roughly half (52%) of all US adults, have used the internet to watch or download video, according to research by the Pew Research Center. Young adult internet users aged 18-29 continue to be the heaviest consumers of online video.

Between 2007 and 2009, there were dramatic increases in the number of Americans who watch the following kinds of videos online: comedy or humorous videos, which rose in viewership from 31% to 50% of adult internet users; educational videos, which rose in viewership from 22% to 38% of adult internet users; movies or television show videos, which rose in viewership from 16% to 32% of adult internet users and political videos, which rose in viewership from 15% to 30% of adult internet users.

Among online video watchers, 8% have connected their computer to their television so they can watch online video on a television screen. This represents 5% of all internet users, which is slightly lower than the 8% of internet users who were watching online video on their television screens in an April 2009 Pew Internet survey. One in ten video watchers (10%), or 7% of all internet users, have paid to watch or download a video. In 2007, 4% of internet users had paid to access or download video online.

On the other side of the camera, the 2009 survey found that 14% of internet users have uploaded a video to the internet so others can watch or download it. That figure is almost double the 8% of internet users who were uploading video in 2007. Women are now just as likely as men to upload and share videos, and social networking sites such as Facebook are as popular as video-sharing sites such as YouTube as locations for video uploading.

Online video continues to grow in US | Broadband TV News

mardi 25 mai 2010

800.000 estadounidenses abandonan la TV por cable y se pasan a Internet

 

Más de 800.000 hogares estadounidenses han cambiado la televisión por cable o por satélite para pasarse a los contenidos vía Internet en los dos últimos años. La cifra, que aún supone tan sólo un pequeño porcentaje del total de hogares, es significativa. Sobre todo si tenemos en cuenta que, según la consultora Convergence Consulting Group que ha realizado el estudio, para finales del próximo año esta cifra de “teleinternautas” se habrá doblado, llegando a los 1.600.000 usuarios.

internet

En Estados Unidos hay cerca de 101 millones de suscriptores a servicios de televisión por cable o satélite. De ellos tan sólo el 3% han abandonado la tele de pago para pasarse a Internet. Sin embargo, otro 17% de este total de suscriptores ya ven al menos dos capítulos de sus series de TV favoritas a través de servicios de televisión online como Hulu o Netflix. El año pasado este porcentaje de teleinternautas ocasionales era del 12% y se prevé que el año que viene la tendencia siga al alza hasta llegar a un 21%.

Las razones para este salto a lo digital son variadas. Según el estudio, la mayor parte de suscriptores a servicios de televisión por cable o satélite acaban cansándose de pagar por 800 canales cuando en realidad sólo ven 20 ó 30. Por otra parte, la oferta televisiva actual estadounidense (no hablemos ya de la española, que clama al cielo) no es precisamente un dechado de calidad. En este sentido, Internet ofrece la posibilidad de elegir con precisión qué queremos ver y qué no.

Otro de los factores que inciden en esta tendencia es que es mucho más sencillo acceder, de forma ubicua, a contenidos televisivos desde el ordenador que desde el televisor. Los portátiles, cada vez más abundantes, permiten ver un programa desde cualquier parte sin tener que apoltronarnos en el sofá.

Otro dato destacable del estudio de Convergence consulting Group es que, contrariamente a lo que pudiera pensarse, el modelo de televisión por Internet más utilizado en Estados Unidos es el de contenidos gratis a cambio de publicidad (el mismo modelo que el que tiene, por ejemplo, Spotify). Sistemas de pago como Apple TV crecen a un ritmo mucho menor. En 2008, las descargas de programas de TV en AppleTV alcanzaron los 90 millones de programas. En 2009 sólo subieron hasta 100 millones, lo que supone un beneficio aún moderado de 200 millones de dólares. Los beneficios generados por los anuncios de TV online sólo alcanzaron 1.560 millones de dólares. Nada comparado con los 62.000 millones de dólares que consigue la publicidad en televisión tradicional.

A la luz de estas cifras, la fuga de los espectadores a Internet es una mala noticia para los grandes grupos que operan los canales de televisión. Por estas tierras, los servicio de TV online aún brillan por su ausencia, y para lo que echan, casi es mejor que no los cuelguen en Internet.

S a t C e s c - La web de la televisión vía satélite desde 1997

mercredi 19 mai 2010

800.000 américains se sont désabonnés de la tv payante en 2009

 

Selon une étude Convergence Consulting Group, 800.000 Américains ont coupé leur abonnement au câble ou au satellite pour passer à la réception de la télévision via Internet.

C'est évidement un chiffre relativement faible sur les 101 millions d'abonnes au câble ou au satellite aux USA mais il semble représenter un début de tendance car on pense qu'en fin 2011, ce seront 1.6 millions d'utilisateurs qui auront basculé.

Aujourd'hui 17% des abonnés à Internet regardent des services de télévision en ligne tels que Hulu ou Netflix.  Ils étaient 12% en 2009 et devraient être 21% en fin d'année.

L'étude remarque que les abonnés à des bouquets ont accès à environ 800 chaînes mais n'en regardent en fait que 20 ou 30. Ils ont l'impression de payer des services qu'ils ne regardent pas. trop de choix tue le choix.

Pour les observateurs, la télévision sur le net à l'avantage d'être plus simple, elle n'est pas bloquée sur un seul écran et peut être regardée un peu partout dans la maison ou dehors.

Les utilisateurs semblent plébisciter les services gratuits avec publicité (type Spotify). Le service Apple TV n'aurait fait que 90 millions de téléchargement en 2009, un chiffre modeste.

Comme trop souvent, les grands groupes audiovisuels ont du mal à cerner l'évolution des usages et suivent le souvement plutôt que de le précéder.

Pourtant, l'exemple calamiteux du téléchargement de la musique en ligne, rejeté par les grands éditeurs, devrait servir de leçon

http://www.satmag.fr/affichage_module.php?no_theme=1&no_news=12152&id_mod=50

mardi 18 mai 2010

USA FCC is looking for changes in the STB business

 

The Unites States Federal Federal Communication Commission wants Pay-TV subscribers to receive TV services through set-top-boxes and that the device is not linked to any special company. It is a way of setting the grounds for video over-the-top and imposing certain competitive pressure over Pay-TV providers. Such standardized STB obligation will enable clients to shift providers without needing to buy a new STB.

“Consumers want devices that can navigate the universe of video programming from all of these sources and present the choices to them in a simple, integrated way,” Julius Genachowski, FCC President, told the Washington Post. “They also want to know that they can buy a device and not have to replace it if they change video providers”, he concluded,

The analyst Paul Gallant pointed out that such decision might help Internet TV providers, such as Netflex, Apple, Google and Amazon but added that cable, telecommunications and DTH providers are able to mobilize the political opposition if they consider that such initiative damages their business.

One of the proposals will require that Pay-TV providers send their signals to a small adapter that might serve as a standard interface for broadband and TV contents. Such adapter is connected to a TV set, computer or some other device. Motorola and Cisco hold most set-top-boxes commercialized in the market. Cable and DTH operators control such devices and rent them to consumers.

TV Telco Latam

Sprint lanza oferta de TV móvil a través de red 3G y WiMAX

 

El operador anuncia que su servicio de televisión en vivo y bajo demanda estará disponible a través de su red CDMA2000 y WiMAX con el dispositivo Android HTC EVO 4G que lanzará a mediados de este año. A través de esta red, el operador asegura que el servicio de televisión móvil no tendrá comparación con ninguno de los servicios de televisión móviles ofrecido por sus competidores —AT&T y Verizon Wireless utilizan la red MediaFlo para ofrecer su servicio—. El operador ofrecerá 21 canales y el servicio estará disponible para los usuarios que tienen un plan de datos ilimitado.

::Telesemana::

jeudi 29 avril 2010

Verizon: Verizon and Motorola to Trial Energy-Efficient Set-Top Box With Double the Storage Capacity for Digital Video Recordings

 

Apr 15, 2010 (M2 PRESSWIRE via COMTEX) -- NEW YORK and HORSHAM, Pa. -- Verizon and the Mobile Devices and Home business of Motorola Inc. have teamed up to create and trial set-top boxes that are up to 30 percent more energy efficient than current models, with one new model offering double the amount of storage capacity for digital video recordings.

 

Verizon will begin trialing the two new models, the Motorola QIP7232 and Motorola QIP7100, in select FiOS TV markets later this year. The QIP7232, the DVR model, boasts a faster processor and more memory.
"The new green Motorola set-tops are an outgrowth of Verizon's efforts to create our own industry-leading energy-efficiency standards and to grow our business responsibly," said James Gowen, chief sustainability officer for Verizon. "These set-tops will provide a better viewing and multimedia experience for our customers, while helping them lower their energy consumption and utility bills." The new Motorola QIP set-tops use environmentally preferred materials that do not contain lead, cadmium, mercury or other substances of concern. Packaging for the new set-tops will be 100 percent recyclable and made frm 75 percent recycled cardboard.
(NOTE: To view a video about how the new, Energy Star-rated boxes improve the customer experience and reduce energy consumption, visit http://www.youtube.com/user/VerizonCSRVideos#p/u/0/cc1_41VScUs.) Nearly 2.9 million Verizon customers receive FiOS service over the company's all-fiber-optic network, connecting directly to homes and businesses. FiOS provides interactive services including 140 HD video channels; an advanced interactive media guide; social TV, news and entertainment widgets; remote DVR management; multi-room DVR; and much more.
"Motorola has worked closely with Verizon during the development of these new QIP products to ensure they align with Verizon's environmental sustainability goals," said Larry Robinson, vice president and general manager, Motorola Mobile Devices and Home. "Motorola continues to innovate with our QIP set-tops and will explore opportunities that not only help our service-provider customers reduce their environmental footprint, but also deliver green benefits directly to consumers." For more information about the many benefits of Verizon FiOS services, visit http://verizon.com/fiostv. For information about Verizon's environmental stewardship, visit http://newscenter.verizon.com/kit/green-press-kit/.

Verizon: Verizon and Motorola to Trial Energy-Efficient Set-Top Box With Double the Storage Capacity for Digital Video Recordings

800.000 estadounidenses abandonan la TV por cable y se pasan a Internet | tuexperto.com

 


 

2010_04_14_TV Online1

Más de 800.000 hogares estadounidenses han cambiado la televisión por cable o por satélite para pasarse a  los contenidos vía Internet en los dos últimos años. La cifra, que aún supone tan sólo un pequeño porcentaje del total de hogares, es significativa. Sobre todo si tenemos en cuenta que, según la consultora Convergence Consulting Group que ha realizado el estudio, para finales del próximo año esta cifra de “teleinternautas” se habrá doblado, llegando a los 1.600.000 usuarios.

En Estados Unidos hay cerca de 101 millones de suscriptores a servicios de televisión por cable o satélite. De ellos tan sólo el 3% han abandonado la tele de pago para pasarse a Internet. Sin embargo, otro 17% de este total de suscriptores ya ven al menos dos capítulos de sus series de TV favoritas a través de servicios de televisión online como Hulu o Netflix. El año pasado este porcentaje de teleinternautas ocasionales era del 12% y se prevé que el año que viene la tendencia siga al alza hasta llegar a un 21%.

Las razones para este salto a lo digital son variadas. Según el estudio, la mayor parte de suscriptores a servicios de televisión por cable o satélite acaban cansándose de pagar por 800 canales cuando en realidad sólo ven 20 ó 30. Por otra parte, la oferta televisiva actual estadounidense (no hablemos ya de la española, que clama al cielo) no es precisamente un dechado de calidad. En este sentido, Internet ofrece la posibilidad de elegir con precisión qué queremos ver y qué no.

Otro de los factores que inciden en esta tendencia es que es mucho más sencillo acceder, de forma ubicua, a contenidos televisivos desde el ordenador que desde el televisor. Los portátiles, cada vez más abundantes, permiten ver un programa desde cualquier parte sin tener que apoltronarnos en el sofá.

2010_04_14_TV Online2

Otro dato destacable del estudio de Convergence consulting Group es que, contrariamente a lo que pudiera pensarse, el modelo de televisión por Internet más utilizado en Estados Unidos es el de contenidos gratis a cambio de publicidad (el mismo modelo que el que tiene, por ejemplo, Spotify). Sistemas de pago como Apple TV crecen a un ritmo mucho menor. En 2008, las descargas de programas de TV en AppleTV alcanzaron los 90 millones de programas. En 2009 sólo subieron hasta 100 millones, lo que supone un beneficio aún moderado de 200 millones de dólares. Los beneficios generados por los anuncios de TV online sólo alcanzaron 1.560 millones de dólares. Nada comparado con los 62.000 millones de dólares que consigue la publicidad en televisión tradicional.

A la luz de estas cifras, la fuga de los espectadores a Internet es una mala noticia para los grandes grupos que operan los canales de televisión. Por estas tierras, los servicio de TV online aún brillan por su ausencia, y para lo que echan, casi es mejor que no los cuelguen en Internet.

800.000 estadounidenses abandonan la TV por cable y se pasan a Internet | tuexperto.com

Malone dilutes its power over DirecTV with the purpose of excusing dominance in Puerto Rico

 

John Malone stepped down from his presidency in DiecTV and, will also reduce his voting power to a 3% from a 24.3%. Additionally, Malone will change 21,8 million class B shares for 26,5 million class A shares. According to an official release submitted by the holding to the SEC, such movement is aimed at enabling the regulatory approval to be issued by the FCC, United States communications regulator, for the creation of the new DirecTV. The resulting company will combine DirecTV's content distribution and production assets (including DirecTV Latin America) with Liberty's, thus achieving strong domain in Puerto Rican Pay-TV market, under FCC jurisdiction. A similar situation is being recorded in Chile where the resulting company is DirecTV's and VTR's stockholder.

But, according to United States stock exchange analysts, Malone's power reduction would be aimed at increasing appeal for a potential DirecTV's buyer. In that way, resulting negotiations would unfold more easily. Since over a year ago, United States specialized press has been speculating with AT&T's eventual acquisition of DirecTV. Such assumption is based on AT&T's FTTN network strategy critics arguing that they would not be able to offer the same potential broadband maximum as those of new generation alternatives available in the market: Verizon's FTTC and CATV systems' DOCSIS 3.0. Therefore, AT&T's broadband and Pay-TV future offers over FTTN might be of a lower quality. In contrast, if AT&T acquired DirecTV, the pay-TV offer would occur out of its telecommunications network, thus solving future eventual problems. AT&T and DirecTV already have a commercial alliance for Triple Play offers in the United States

TV Telco Latam

mercredi 14 avril 2010

Netflix licenses Irdeto’s Cloakware Embedded Security to protect streaming content | VentureBeat

 

Digital content delivery and security company Irdeto announced today that Netflix plans to use its Cloakware Embedded Security as one of many tools to protect streaming media.

Irdeto’s technology allows Netflix to protect its content across a wide variety of devices without rewriting the content’s security. In addition, it protects content throughout its entire life cycle, and not just during distribution.

Irdeto describes the technology behind Cloakware like so:

The full [Cloakware] suite includes a transformation engine that scrambles code and hinders reverse engineering and tampering; platform agnostic white-box cryptography and other supporting assets including anti-debug protection, validation tools to detect tampering of code modules and data file encryption.

Now that Netflix is finally beginning to spread to mobile devices — it’s on the iPad, and will be coming to the iPhone and Windows Phone 7 devices — it’s no surprise that the company is trying to figure out ways to simplify its protection schemes.

Better content security will strengthen Netflix’s relationships with movie studios and television companies. It will offer media companies piece of mind about making their content available through Netflix’s streaming service — which is helpful for both existing media relationships, and those that have been avoiding the streaming media bandwagon.

Cloakware Embedded Security will also allow Netflix to easily protect bring its streaming content to more consumer devices. Not only will it be technically easier to build on security solution across multiple platforms, but it will also ensure that media companies feel that their content is protected no matter where Netflix brings it.

Irdeto has headquarters in Beijing and Amsterdam, and employs about 850 people around the world. It’s a subsidiary of Naspers, a multinational media company based out of Cape Town, South Africa.

Netflix licenses Irdeto’s Cloakware Embedded Security to protect streaming content | VentureBeat

Motorola premieres first 3D set-top | Broadband TV News

 

Motorola has announced software enhancements for its DCX line of set-top boxes. The company said that while frame compatible 3D content could be passed through set-tops already in the market, accessing on-screen guides and user menus had given consumers an often unsettling experience.

Motorola has overcome this by integrating 3D signal processing software into the set-top. This is capable of detecting the presence of 3D content and identifying the correct format for its delivery and display on a 3D TV. The set-tops support 3D TV over both MPEG-4 and MPEG-2 and are capable of 1080p24/30 output.

All on-screen text and graphics are then reformatted to match the incoming 3D format, so that they can be correctly displayed by the 3D set. The 3D processing software supports all on-screen displays such as subtitles, application graphics and text overlays, as well as existing EPGs and applications.

“Motorola has been developing 3D technology for more than 10 years, leading the industry with innovative solutions that support the deployment of 3D TV to the home,” said John Burke, senior vice president, Motorola Mobile Devices and Home. “The development of this 3D software enhancement gives our service provider customers a straightforward solution for deploying high-quality 3D TV services today using their existing video delivery infrastructure.”

Motorola is also working with its customers to add 3D support to set-tops already in the field, an issue of concern in Europe, where operators are keen to use devices already deployed for HD services.

The new 3D TV-enabled set-tops will be on display at the Motorola stand at NAB.

Motorola premieres first 3D set-top | Broadband TV News

Starling launches new social TV platform | Broadband TV News

 

MIPTV 2010 – CANNES. Starling, a new social TV platform that connects TV audiences and integrates them with broadcast media, was launched today by Kevin Slavin. Designed for mobile devices, tablet computers and the web, it provides viewers with a platform to chat, play, and interact, around a show, and with each other.

Starling builds on the emergent trend of “co-viewing,” which generates active social media chatter when fans of a show gather online. It connects fans with other fans of the programme, and friends to what their friends are watching. Users engage each other around the shows they already enjoy, and discover new shows through the social graph.

“Viewers will be able to use Starling to scan comments from friends and other fans of the show, in sync with the TV broadcast. Watching a show becomes a social activity, where the audience becomes aware of the audience. It’s like a real-time watercooler,” said Slavin, President of Starling, in a statement

For production companies and broadcast organisations, Starling retains viewers by deepening their relationship to a TV show and activates the audience, turning fans into participants. It encourages viewers to discover new TV shows through their social network. For sponsors and advertisers, Starling delivers a new layer for broadcast, creating a new channel for companies looking for turnkey solutions to effectively use social media.

Starling’s Early Access Program provides us with the opportunity to explore new channels to connect with our audience, which extends Fremantle’s legacy in doing so for many years. Emergent behaviours in social media are building a new and connected audience, and we look forward to the ways that Starling could help Fremantle to amplify, augment and engage this trend,” said Gary Carter, COO at FremantleMedia Group.

JWT also joins the EAP on the advertising side: “We are very excited to be a part of Starling’s Early Access Program. Our clients already know that social media plays a crucial role in their communications and they are quickly becoming aware of its potent relationship with broadcast media. Having the ability to build a turn-key solution that creates a bridge between TV and social media while finding dynamic ways to weave in brand experiences is of paramount importance,” said David Rosenberg, Director of Emerging Media at JWT.

The team behind Starling are leading executives from game development, advertising, broadcast and production. The Starling team consists of Declan Caulfield, CEO; Kevin Slavin, President; and Kenny Miller, Director of Americas.

Starling launches new social TV platform | Broadband TV News

lundi 12 avril 2010

Could Dish buy TiVo? Part 2 | News - Rapid TV News

 

tivoTwo weeks ago, on March 28, we posed the question of whether Charlie Ergen’s EchoStar and Dish operations might buy TiVo, the pesky DVR business that’s given Ergen so many headaches, and could end up costing his business up to $4 million a month in penalty payments. Now it seems we are not alone in thinking this is a good idea.

MultiChannel News, a trade publication that we hold in much regard, had this to say about the concept, quoting the thoughts of Jason Bazinet, an analyst at Citigroup. "The more we think about it, the more the possibility exists to us that EchoStar and TiVo merge," Bazinet wrote in a research note on Thursday. "While [Wall] Street seems to be fixated on the risks to Dish Network, we think that's probably the wrong place to focus. In our view, TiVo belongs -- for many reasons -- at EchoStar, not Dish." Bazinet downgraded his rating on EchoStar from "buy" to "sell" -- lowering the price target on shares from $24 to $17.50 -- while he maintained a "buy" for Dish Network and raised his target price on that stock from $22 to $24. The two companies officially split in January 2008.

“In Friday morning trading,” said Multichannel’s Todd Spangler, “TiVo's stock was up more than 4%, to $18.15 per share, while EchoStar was down about 3.5%, to $19.96. Dish was up about 4%, to $21.90 per share. Dish Network and EchoStar have until April 30 to settle the six-year-old patent litigation with TiVo or the satellite operator faces the prospect of disabling upward of 8 million customer DVRs. Last month, the U.S. Court of Appeals for the Federal Circuit denied Dish's request to overturn a lower-court ruling finding the satellite operator in contempt of an order to disable DVRs that were found to infringe the TiVo patent, which covers a system for simultaneously recording and playing back TV programming.

Bazinet speculated that EchoStar would offer cash and stock to TiVo shareholders in a deal worth about $2.3 billion. That suggests EchoStar would need to come up with about $565 million in cash, which could come from Dish Network "prepaying" royalties for the TiVo patent, amounting to between $640 million and $1.625 billion, according to Bazinet's analysis. EchoStar would be interested in acquiring TiVo for four reasons, according to Bazinet: TiVo is likely to prevail in court; there are potential synergies between the two firms, particularly following EchoStar's acquisition of Sling Media in 2007; EchoStar was indemnified in 2009 from TiVo liabilities, which Bazinet sees as facilitating a merger between them; and EchoStar's effective control of TiVo's intellectual property would minimize risk to Dish by keeping the DVR technology out of the hands of competitors.

"[I]f TiVo is acquired to us it makes no sense for Dish to acquire the firm. EchoStar, after all, is the natural wholesale provider of services to the pay TV space," Bazinet wrote. "EchoStar sells boxes, they own Sling, they also sell transponder capacity. TiVo is a natural extension to this emerging wholesale, value-added role that EchoStar is trying to play in the global pay TV space."

Bazinet highlighted four points for this theory:

1) A legal victory for TiVo. Bazinet said if TiVo ultimately prevails in court, which is expected, Mr. Ergen has two choices: "pay the recurring royalties TiVo requests or acquire the firm." While many expected Dish (Nasdaq: DISH) would ultimately acquire TiVo, Ergen could use EchoStar's equity (and cash) to acquire TiVo. "Then, Mr. Ergen would – to a large extent – be paying TiVo royalties to himself," Bazinet says.

2) Potential synergies between the two firms. Citi sees synergies with EchoStar's Sling and Tivo.

3) EchoStar's 2Q09 indemnification from TiVo liabilities "we think, is that Mr. Ergen may have become more concerned that TiVo would win its legal case. And, if he contemplated acquiring TiVo on the heels of a TiVo legal victory, there would be two advantages from indemnifying EchoStar," Bazinet says.

4) De-risking of Dish's business by effectively "controlling" TiVo’s intellectual property. "By owning a large portion of TiVo, it keeps the asset out of the hands of other pay players that may want to ink an exclusive DVR contract with TiVo," Bazinet said.

Here’s Rapid’s original take on the dilemma. http://www.rapidtvnews.com/index.php/201003286218/could-dish-buy-tivo.html

Could Dish buy TiVo? Part 2 | News - Rapid TV News

Kids' Media Use

 

Kids are leading the world's transition to digital media.

This is in part because kids aren't afraid of technology, and, in part, because kids haven't spent years getting use to anything else.

So if you want to get a sense of where the world's media habits are headed, it makes sense to watch what kids are doing.

The Kaiser Family Foundation did just that in a comprehensive survey released in January.  Kaiser surveyed more than 2,000 families, and turned up all sorts of interesting information about the media habits of 8-18 year olds.

(Just go to the presentation >)

Some key points:

  • Kids consume a hell of a lot of media--and more all the time.  Basically, if kids are awake, they're consuming media.  And, increasingly, they're consuming multiple forms of media at the same time.
  • Kids' print media consumption is tiny and falling.
  • Kids' digital media consumption is going through the roof.

No big surprise there.  What is a surprise is how little parents seem to care about this.  (Or, alternatively, how much parents encourage this media consumption by consuming a huge amount of media themselves.)

  • In 2/3 of households, TVs are on during meals
  • In 75% of households, TVs are on when no one is watching them.
  • More than 70% of kids have TVs in their bedrooms
  • Only 1/3 of households have media-consumption rules

No surprise, more media is consumed in households in which TVs are always on, where there are no rules, and where kids have TVs in their bedrooms.

And, no surprise, kids who consume the most media get the worst grades (is this cause or effect?)

It's a long presentation, but it's awesome.

Flip through the presentation here >

View As One Page
View As Slideshow »

TV still rules...

TV still rules...

Kids' Media Use By Platform

Image: Kaiser Foundation

Source: Kaiser Family Foundation

More media all the time -- now 10.5 hours a day

More media all the time -- now 10.5 hours a day

Kids' Media Exposure Per Day

Image: Kaiser Foundation

Source: Kaiser Family Foundation

With 3 hours of media multi-tasking

With 3 hours of media multi-tasking

Kids' Media Exposure Per Day

Image: Kaiser Foundation

Source: Kaiser Family Foundation

What kids do when they're media multitasking

What kids do when they're media multitasking

Kids Media Multitasking

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Mobile: Who owns what

Mobile: Who owns what

Kids Mobile Media Use

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Still 33 minutes a day gabbing on the cell phone

Still 33 minutes a day gabbing on the cell phone

Kids Mobile Media Activity

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Again, TV still rules

Again, TV still rules

Kids Media Use By Platform

Image: Kaiser Foundation

Source: Kaiser Family Foundation

But LIVE TV consumption is dropping (less couch-potato-ism!)

But LIVE TV consumption is dropping (less couch-potato-ism!)

Kids TV Content Consumption

Image: Kaiser Foundation

Source: Kaiser Family Foundation

DVD consumption hanging steady (for now)

DVD consumption hanging steady (for now)

Kids TV Content Platform Breakdown

Image: Kaiser Foundation

Source: Kaiser Family Foundation

DVR consumption still rising (though surprisingly small)

DVR consumption still rising (though surprisingly small)

Kids TV Content Platform Breakdown

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Online TV consumption growing (will soon replace DVR and DVD?)

Online TV consumption growing (will soon replace DVR and DVD?)

Kids TV Content Platform Breakdown

Image: Kaiser Foundation

Source: Kaiser Family Foundation

iPod TV consumption also growing (another threat to DVR and DVD)

iPod TV consumption also growing (another threat to DVR and DVD)

Kids TV Content Platform Breakdown

Image: Kaiser Foundation

Source: Kaiser Family Foundation

And, lastly, TV consumption on a cell phone (we're betting that's iPhone-based playback, not MobiTV)

And, lastly, TV consumption on a cell phone (we're betting that's iPhone-based playback, not MobiTV)

Kids TV Content Platform Breakdown

Image: Kaiser Foundation

Source: Kaiser Family Foundation

So, total TV-content consumption is growing, but via different media

So, total TV-content consumption is growing, but via different media

Kids TV Total Time

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Here's how kids are consuming TV shows

Here's how kids are consuming TV shows

Kids TV Time By Platform

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Moving on to music--it's growing, too

Moving on to music--it's growing, too

Kids Listening To Music

Image: Kaiser Foundation

Source: Kaiser Family Foundation

But as with TV, music is being consumed via different media. So long, CDs...

But as with TV, music is being consumed via different media. So long, CDs...

Kids Listening To Music By Platform

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Next, computers: They're taking over

Next, computers: They're taking over

Kids Computer Time

Image: Kaiser Foundation

Source: Kaiser Family Foundation

In part because almost all households now have Internet access

In part because almost all households now have Internet access

Kids Home Internet Access

Image: Kaiser Foundation

Source: Kaiser Family Foundation

More than half now have HIGH-SPEED Internet access

More than half now have HIGH-SPEED Internet access

Kids High Speed Internet Access

Image: Kaiser Foundation

Source: Kaiser Family Foundation

A third of kids now have Internet access in their bedrooms

A third of kids now have Internet access in their bedrooms

Kids Internet Access In Bedroom

Image: Kaiser Foundation

Source: Kaiser Family Foundation

And here's what kids do on their computers (mostly social networking, games, and videos)

And here's what kids do on their computers (mostly social networking, games, and videos)

Kids Computer Use By Activity

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Kids now blow more than an hour a day on video games

Kids now blow more than an hour a day on video games

Kids Video Game Use

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Video games are a boy thing

Video games are a boy thing

Kids Video Game Use By Gender

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Video games are shifting to handhelds (sorry, Sony)

Video games are shifting to handhelds (sorry, Sony)

Kids Video Game Use By Platform

Image: Kaiser Foundation

Source: Kaiser Family Foundation

And now for READING...

And now for READING...

Kids Reading Time

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Books actually hanging in there (thanks to school?). Newspapers, not so much.

Books actually hanging in there (thanks to school?). Newspapers, not so much.

Kids Reading Type

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Only a quarter of kids glance at a newspaper every day (Sorry, Mr. Sulzberger)

Only a quarter of kids glance at a newspaper every day (Sorry, Mr. Sulzberger)

Kids Reading Type Day

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Digital media is where it's at

Digital media is where it's at

Kids Media Time By Platform By Age

Image: Kaiser Foundation

Source: Kaiser Family Foundation

Basically, if kids are awake, they're consuming media

Basically, if kids are awake, they're consuming media

Kids Media Time By Age

Image: Kaiser Foundation

Source: Kaiser Family Foundation

And this is interesting: Check out media consumption by race

And this is interesting: Check out media consumption by race

Kids Media Time By Race

Image: Kaiser Foundation

Source: Kaiser Family Foundation

The race disparity has widened in recent years

The race disparity has widened in recent years

Kids Media By Race Per Day

Image: Kaiser Foundation

Source: Kaiser Family Foundation

And now for the side effects of all that media consumption...

And now for the side effects of all that media consumption...

Kids Media Use And Grades

Image: Kaiser Foundation

Source: Kaiser Family Foundation

"Light" media consumers get good grades. So do "moderate" media consumers

Network DVR Inches Ahead - 2010-04-12 04:01:00 | Multichannel News

 

Cablevision Systems may soon be ready to go live with network-based digital video recorder services — but other operators are taking a longer view.
For many industry executives, the network digital video recorder concept belongs squarely under the umbrella of other Internetbased video-delivery initiatives, including TV Everywhere.
“The biggest thing I’ve seen in the last year with network DVR is that people are looking at doing video-over-IP and factoring that into their planning,” said Joe Matarese, vice president and general manager of Arris Group’s Media and Communications Systems division.
The focus for many operators is on building a central infrastructure for video ingest, processing, transcoding, storage and delivery, said Ken Morse, chief technology officer for Cisco Systems’ Service Provider Video Technology Group. In that context, network DVR is an application that can run out of the same pool of servers, storage and content- delivery networks.
“The next generation of video-delivery platforms is being totally built for on-demand, and you’re optimizing your architecture for unicast,” Morse said.
Added Materese, “Operators are saying, ‘We need to fi gure out what we’re doing on IP video before we go too crazy down the network DVR front.’ ”
The network DVR idea got a major boost last summer, after the U.S. Supreme Court declined to hear an appeal of a lower-court ruling that Cablevision’s proposed Remote Storage-Digital Video Recorder was legal. The New York-area cable operator had been sued by TV programmers, movie studios and other content owners that claimed the proposed system would violate their copyrights.
This month, Cablevision plans to begin rolling out the RS-DVR and is aiming to have it available to all of its 2.9 million digital video subscribers by the end of 2010.
One key benefit: Cablevision now can deliver a DVR service to any subscriber with a digital set-top, for a much lower per-box cost.
Other MSOs, however, appear disinclined to pull the trigger just yet.
“We don’t expect a lot of movement this year in terms of new deployments, but we do expect to see lab experimentation and business studies being conducted to evaluate network DVR versus standard DVR,” said James Brickmeier, Concurrent’s vice president and general manager of video solutions.
The overall cost of implementing a network DVR has come down in the last two years, as storage prices have fallen and platform densities have increased, to the point where it’s a feasible option, according to Brickmeier. Concurrent also has developed mechanisms that provide 10 to 20 times the ingest rate of traditional ingest engines using an “intelligent methodology to support higher simultaneous ingest rate for the same programming,” he said.
On the storage front, SeaChange International is pushing the high-density Universal MediaLibrary for network DVR applications. The system provides up to 144 Terabytes of raw storage in a five-rack-unit storage array, packing in 72 hard disk drives.
“Having a lot of storage is absolutely a requirement for network DVR,” said Lev Vaitzblit, SeaChange’s vice president of engineering, servers and storage.
But not everyone is convinced network DVR applications are as cost-effective as traditional digital video recorders.
Network DVR would produce a tremendous increase of unicast video on a cable system — with as much as a 40% concurrency rate, or four times that of traditional VOD. That could require an operator to undertake widespread network upgrades, such as node splits, said Arris senior director of intellectual property engineering Carol Ansley.
New competition in the set-top market will put “a lot of downward pressure” on customerpremises equipment pricing, she added.
The viability of network DVR is “a complicated question from an economic and network sustainability viewpoint,” she said.
Another potential gotcha: TiVo may seek licensing deals for its core DVR patents or take network DVR practitioners to court. TiVo has won a series of legal victories against Dish Network and EchoStar on its “Time Warp” patent and has gone after AT&T and Verizon Communications in separate suits.
“It’s an open question whether [TiVo’s] patents — and hence their request for patent- licensing fees — would apply to network DVRs,” Ansley said. “That’s another cloud hanging over that whole area.”
Noted Cisco’s Morse: “It will take a long time for this transition. You have a lot of local DVRs that are still in use.”

Network DVR Inches Ahead - 2010-04-12 04:01:00 | Multichannel News

vendredi 9 avril 2010

Cox’s brand of TV Everywhere to launch in June

 

Cox Communications will be dipping its toes into the TV Everywhere waters when it launches a Web-based service to PCs that features two channels in June.

“We don’t have a brand name for it,” Cox spokesman David Grabert said this morning. “I don’t think we’re going to develop a name for it like our MyPrimetime service. For us, our whole viewpoint is that we’re going to give customers access anytime, on any screen, so we’re moving along with that.”

While the service streams the content to PCs, Grabert said the details of how the users are authenticated would be announced later . Last year, Rogers launched a TV Everywhere-type service from a Web portal that authenticated users through their cable modems.

Last week, Cox announced that Epix, which is a movie channel jointly owned by Viacom Inc., Lionsgate Entertainment Corp. and Metro-Goldwyn-Mayer Studios Inc., and Vutopia would be available online for free to Cox customers who subscriber to its digital “Movie Pak” tier.

Epix, which has rights to Paramount, MGM and Lionsgate movies, first cut a deal with Verizon last year, but Cox became its first announced cable operator customer in January. Vutopia is a new movie service that is currently available in Cox’s VOD library. The two channels are now available in all of Cox’s systems.

Grabert said Cox’s first foray into a TV Everywhere-type service was the Winter Olympics in partnership with NBC Universal.

“You could consider [the June launch] to be evolutionary with other content to be announced once we negotiate those deals,” Grabert said.

Cox’s brand of TV Everywhere to launch in June

mardi 6 avril 2010

DirecTV Launches Interactive TV Crime-Mapping Application from SpotCrime | InteractiveTV Today

 

SpotCrime, a Baltimore-based start-up that bills itself as "the largest independent data and news company mapping crime worldwide," has launched an interactive TV application in DirecTV's TV Apps app store (http://tvapps.directv.com). The app provides DirecTV viewers nationwide with near-real-time crime data, including listings of local crime incidents and a map of that local criminal activity. "Using the new TV App, DirecTV customers will receive up-to-date details about actual crime incidents that have taken place, as well as real-time personal and property safety ratings for specific areas," SpotCrime founder and president, Colin Drane, said in a prepared statement. "Through our proprietary model, SpotCrime pulls crime incident data from multiple sources, including state and local police departments and validated news sources, to produce a comprehensive record of local crime information."
SpotCrime claims that the launch of its new interactive TV application on DirecTV means that its crime-mapping data now reaches over 80% of the US population--primarily through partnerships it has created with major media companies around the country, including Local TV LLC, Newport Television, Fisher Communications, Capitol Broadcasting Company, Hubbard Broadcasting Corporation and Nextar Broadcasting. Earlier this year, the company launched an iPhone app that allows users to view crime data by proximity of date, obtain detailed descriptions of the crimes it lists, and share information on crime incidents via email. The app also uses augmented reality to superimpose on the iPhone's camera viewer computer-generated imagery of crimes that have occurred in a specific location.
In other interactive TV applications news: A play-along application developed by Dublin, Ireland-based interactive TV apps specialist, emuse, for the Fox8 reality series, "Australia's Next Top Model," on the OpenTV-powered Foxtel pay-TV platform, has won the award for "Best Use of Interactive" at a technology awards program that was held as part of the recent ASTRA (Australian Subscription Television & Radio Association) conference. According to emuse, the app allowed viewers to play along with the show by answering a series of questions and taking part in a series of votes, all of which were synchronized with the show's content. Results and opinions generated by the app were made available on the "Australia's Next Top Model" Web and 3G sites, immediately after the show's broadcast.
The app was managed by Foxtel's production team, using emuse's Content Management System. According to emuse, it provided several sponsorship opportunities, allowing Fox8 to generate additional revenue from the show. "We are delighted the 'Play Along' application has been recognized by ASTRA" emuse COO, Dominic Laval, said in a prepared statement. "Foxtel have a clear commitment to producing quality interactive content and, as a result, when working with them we always have the opportunity to develop innovative applications. This award illustrates that emuse continues to enable leading interactive content and cross-platform advertising."

DirecTV Launches Interactive TV Crime-Mapping Application from SpotCrime | InteractiveTV Today

vendredi 2 avril 2010

Panel: Keep TV Everywhere Simple - 2010-03-24 17:19:29 | Multichannel News

 

New York — A panel of top technology executives mapped out their strategies for TV Everywhere -- the cable industry's subscription online initiative -- at a conference here Wednesday, noting that to make the concept a reality, distributors will have to make the ultimate product simple to use, pack it with compelling content and offer it at a reasonable price.

The technology for TV Everywhere, which would enable cable, satellite and telco customers to access the same programming available through their home subscriptions on their PCs, has been around for years. But one of the roadblocks has been how to monetize the service.

At a Multichannel News/B&C "TV Everywhere & Anywhere" breakfast panel here March 24, Avail-TVN chief technology officer Mike Kazmier said that his company is banking that the prevailing model will be a hybrid of three that are already in use: an operator-centric model like Comcast's Fancast online video service, which is controlled entirely by the service provider; a programmer-centric model that is specific to a particular network or event, like Home Box Office's HBO Go, where the content provider controls the front end; and a subscriber-centric model, like the Sling Box, where the customer is in control.

Irdeto vice president Americas Jan Steenkamp said that while the basic technology has been in place for TV Everywhere for awhile, there are still some challenges, mainly creating standards that will ensure a uniform user interface and that the technology will work with all devices. But Steenkamp said that the goal of full TV Everywhere deployment is not one that will be reached quickly.

"I actually think TV Everywhere is a long-term marathon that is going to affect the media landscape for the next 20 years and will change the way people consume media," Steenkamp said.

EchoStar Technologies national accounts executive Margit Tritt said her company's Slingbox technology is one way that distributors can offer TV Everywhere functionality. She added that EchoStar is working with several pay TV providers to integrate the Sling technology into set-top boxes.

Tritt acknowledged that viewers watching TV programming on non-TV devices is still in the early stages. But she added that could change dramatically once distributors embrace the technology fully, using digital video recorders as an example.

"Once pay TV operators started bringing that [DVR] service internally and making it single payer and easy to solve, subscribers knew who to call if there was a problem, then it took off."

SeaChange International vice president in-home products Simone Sassoli said that technology is not the only obstacle to deploying TV Everywhere. Programming rights remain a roadblock.

"I want my service package that I have with my service provider available in other places. That's a simple proposition," Sassoli said, adding that the difficulty in obtaining content rights is what limits access. Tritt added that customers are willing to pay for a TV Everywhere type service. According to EchoStar research, customers are willing to pay between $5 and $15 per month for a TV Everywhere service, around the same as most distributors charge for DVR service.

"People are willing to pay," Tritt said.

Despite the challenges, Steenkamp said that the success of TV Everywhere will come down to whether one distributor will take the lead.

"What we need is someone to take this whole thing and come up with something that is sensible across the entire consumer base," Steenkamp said.

The panel was moderated by Multichannel News technology editor Todd Spangler.

Panel: Keep TV Everywhere Simple - 2010-03-24 17:19:29 | Multichannel News

jeudi 1 avril 2010

US viewers want their TV to be connected | Broadband TV News

 

US consumer interest in web TV applications is so strong that households are making their own connections via PCs and game consoles, according to research by Park Associates. From 2008 to 2009, the number of US households using web-connected game consoles increased by 64%, and the number connecting a PC to a TV increased by 36%, according to the firm’s latest report Digital Lifestyles: 2010 Outlook.

“Many households are working with devices they already have to get the connected TV experience, which shows strong future demand for connected TVs, web-enabled Blu-ray players, and networked digital media players such as Apple TV and Roku,” said Kurt Scherf, VP, principal analyst, Parks Associate, in a statement.

Over three-quarters of US households with PC-to-TV connections and one-third of Xbox 360 owners are using these connections to stream online video. These households, as they extend online video and other Web experiences to the TV screen, are laying the foundation for future behaviors with connected CE and entertainment services.

“Manufacturers and service providers should examine these consumer behaviours closely, so they can match their current and future connected offerings with actual demand without pricing themselves out of the market,” Scherf said.

US viewers want their TV to be connected | Broadband TV News

mardi 30 mars 2010

TiVo Premiere Details and First Hands On: Like IMDB On TV - Tivo premiere - Gizmodo

 

TiVo may have invented time-shifting, but the past few years haven't been kind to this company unsure how to cut a profit. Then, someone inside TiVo HQ must have realized, oh right, INNOVATION! That's the ticket!

What You Need to Know

• The TiVo Premiere (320GB, $300) and Premiere XL (1TB, THX certified, $500) are the new Series 4 TiVos
• They have completely new widescreen HD software built on Flash
• This software will not come to Series 3 models (or earlier)
• The Premiere is less a DVR than a completely integrated video machine
• Available in early April

Why I'm Excited

The TiVo Premiere is the smallest TiVo yet, a thin and diminutive box that holds only one CableCard and still lacks Wi-Fi (a $90 802.11n adapter will be available this May, plus you can pick up a $30 TiVo powerline adapter). It hides a multicore processor inside that drives a new, HD UI that previews your program at all times. That's right—no more going into Now Playing only to lose the stream of your show.

Despite the redesign, you'll find the experience is remarkably familiar. The basic fonts and menus are unchanged, with a few key differences. Most importantly, instead of seeing one page at a time (like being in Now Playing, then clicking to a new screen with a particular show), you see two pages at a time—a logical design update to the widescreen format that speeds up navigation enormously.

Plus there are little touches that anyone can appreciate: A disk space meter. Show titles change colors once watched. The 30-second commercial skip? That's been programmed into a dedicated "scan" button that flashes half a minute by in just a handful of frames (to keep advertisers happy). Plus, I have it in good faith that TiVo won't be eliminating the classic 30-second skip, either.

Of course, you've already noticed the top bar filled with show icons. That's basically a list of suggestions that shift dynamically depending on what you're watching at the time. I have a feeling TiVo is finding a way to make money off that thing, but you know what? That's OK if they're offering content to me based upon what I like.

Which brings us to the big, key difference about the Series 4.

It's the Internet

Even though the Series 4 still makes you pay for a Wi-Fi dongle (ridiculous, right?), it's truly an internet machine.

Imagine if TiVo and IMDB made a baby. That's exactly what you get.

Swivel Search, which allowed you to search for programs by criteria like actor and keyword, has been built in to the very core of Series 4, and it's got internet access.

So say you're watching 30 Rock and you decide, that Jack Donaghy is an interesting guy. I want to see more of his work! A few clicks takes you to Alec Baldwin. A few more? You can access pretty much anything Alec Baldwin's been in—but not just within your cable subscription.

You'll see Netflix streaming options. Amazon Video on Demand. Blockbuster on Demand. YouTube clips, even. Or you can find an Alec Baldwin movie that will be in the theaters in several months. Then? You can program your TiVo, right then, to record that movie whenever it's finally on cable.

And I should add, none of this advanced search is forced upon you. Much like IMDB, the information is just there if you choose to dig deeper.

For Flash, There's Not Much Flash

If we have one criticism regarding the Series 4 (other than the lack of integrated Wi-Fi, yes, I'm gonna hammer that point home), it's that there's nothing all that flashy about it.

Yes, this point is a quibble, but an important quibble all the same. Those accustomed to flipping through their Netflix queue on a modern, powerful machine like the Xbox 360, those accustomed to the seemingly endless media oomph of the PS3's animated XMB previews and photo collages, may be disappointed in the Premiere's general lack of flare.

I'd love to see a few more UI treats—tiny, tactile animations that smartphone programmers are so wickedly good at designing—built in to the core UI.

There's no doubt, the Series 4 is a smart machine. I just want to make sure that TiVo doesn't become an old maid, but rather a naughty librarian with a sense of adventure. I'm not sure whether or not, just by glancing at it, the Premiere will be enough to woo the average consumer again. And that's something that TiVo very much needs to do.

Oh, and TiVo, Wi-Fi dongles shouldn't cost $90 anymore. Who are you taking lessons from, Microsoft? (OK, OK, I'm done with the Wi-Fi complaints...for now.)

While my impressions were from a meeting long ago, John Herrman just got a second hands on. Here is the sum of his experience:

TiVo's Series 4 box is superficially, well, just another TiVo box, but that's not the point—all set-top boxes are boxes, and if they were anything else, they wouldn't be set-top boxes. It's what's inside that counts, and that's where the Premiere's newness is.

The new TiVo interface is recognizably TiVo-y (and almost exactly like what was previewed back in 2008), and just as recognizably fresher—there are fewer tacky shine effects, and more soft gradients. It's kind of a natural progression for the original interface, which was designed with SDTVs in mind, to a more HD-ready take on the same concept. It's based on Flash, and while you can't really tell now, Tivo's said that the platform is extensible with some kind of app store-type platform, from which you can download Flash Lite-based apps, very little of which TiVo has made specific commitments about, but which is coming, in one way or another. This could be what makes the Premiere a gamechanger, whenever it happens.

In terms of content, TiVo's taken a hard turn online: as Mark put it, it's as if "TiVo and IMDB made a baby," which is to say any TV show or movie you're browsing is augmented with context and metadata, pulled from online. A minor feature which is actually kind of huge is that if you look up a film or show, the Premiere plants icons for the integrated streaming services—Netflix, Blockbuster, Amazon, etc—to help see if a download or play option is available. The integration is smooth, and the concept natural. But groundbreaking? Not so much.

The optional QWERTY remote will be very familiar to anyone who's used TiVo for more than five minutes, excepting the giant freakin' keyboard that slides out of the side. Integrating the keyboard into a peanut shape was risky, and it didn't really pay off: The keyboard itself isn't overly large, but the fact that it's flanked by two large endpieces makes reaching the center buttons tough, even for the large-handed. Anyway, it's more merciful than generous, since asking users to navigating any amount of text-oriented web content with the regular ol' peanut is mildy hellish. I suspect a lot of folks will spring for this one, even if the necessary Bluetooth dongle (not to mention the remote itself) costs.

What's most striking about TiVo's Next Big Thing is that it doesn't do a whole lot that other DVRs and set-top boxes couldn't, probably for a lower price. (The Premiere is $300, and the XL, with a 1TB drive, is $500.) Granted, a lot of people are going to end up with a Series 4 DVR subsidized by their TV provider, and then, yeah, it's going to be a nice step up from whatever terrible TI genero-box they would have had otherwise. But TiVo's breathless invite to this launch (Inventing the DVR was just a warmup!) doesn't ring true. Is there's something else on the way? Is everyone missing something? mean, I'm glad TiVo discovered the internet and all, but this kind of stuff is baseline nowadays.

TiVo Premiere Box Specifications:

* TiVo Series4™ architecture
* Supports digital cable, high-definition digital cable, antenna (ATSC) and Verizon FiOS
* Outputs: HDMI, Component video, Composite video, Optical audio, Analog audio
* Video output modes include: 480i, 480p, 720p, 1080i, 1080p
* Inputs: CableCARD™ support, Cable coax, Antenna coax, Ethernet
* Ethernet connection, USB 2.0 ports (2), E-SATA support for external storage
* TiVo Wireless N and G Network Adapter support
* ENERGY STAR® certified
* 320 Gigabytes
* Records up to 45 hours of HD programming or up to 400 hours of standard-definition

TiVo Premiere XL Box Specifications (all specs not listed are the same as above unless noted)

* One Terabyte storage
* Records up to 150 hours of HD programming or up to 1350 hours of standard-definition
* Backlit, programmable, and learning remote
* THX®certified, ensuring optimal audio and video reproduction and enables seamless integration with other THX components
* TiVo Premiere XL box is the first HD product to feature THX® Optimizer™, a video calibration tool that lets users fine tune color, black levels and other settings to improve picture quality. Hailed by critics for its ease-of-use, the exclusive THX Optimizer for TiVo Premiere XL box is found in the My Shows menu of the TiVo service. A pair of THX Optimizer Blue Glasses, designed for adjusting Color and Tint settings, is included with the owner's manual.

TiVo Premiere and TiVo Premiere XL boxes will be available in retail nationwide in early April. They are also available for pre-order today at tivo.com for $299.99 and $499.99 respectively.

TiVo Premiere Details and First Hands On: Like IMDB On TV - Tivo premiere - Gizmodo

Deadline set on Echostar’s patent dispute with TiVo

 

Leading media analyst Craig Moffett from Sanford Berstain sums up the Echostar-TiVo situation snappily, saying: “Dish is now negotiating with a gun to its head”.

His comments refer to the long-running patent dispute between Echostar/Dish and DVR specialists TiVo.

As well as facing a huge financial penalty, EchoStar/Dish is also looking down the barrel of TiVo’s large-calibre gun, which might require EchoStar/Dish to disable some 8m users from their all-important digital video recorders.

D-Day is just a month from today on April 30.

Last Thursday, a US District Court granted Dish an extension until April 30 on a previous stay of his injunction ordering the satellite operator to shut off DVRs that infringe TiVo’s “Time Warp” patent.

Moffett, in a note to clients, said he could see only a 3% chance of EchoStar/Dish winning this move.

Moffett’s firm has already suggested that should TiVo win this action then EchoStar/Dish would have to fork out around $2.25-$3 per subscriber per month.

In other words, Moffett wrote “there’s an enormous risk in Dish shares”.

Deadline set on Echostar’s patent dispute with TiVo

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